Category: News

While strategic plans, organization missions, and the like are partially on the site already and will invariably be added to as time goes by, there is something pure about stating the general idea behind the Global Glacier Initiative, in fairly direct prose, while things are very early.

One of the biggest things going on in my mind is the idea of “getting them before they are gone.” That does not necessarily leave much room for thinking of anything else, as there isn’t anything else to think of. The clock is ticking, as I write this, as glaciers march to their demise. Some will disappear even this coming summer, while others will shrink significantly in the coming years and decades. There really is no time to waste.

I hate to be cynical: I think we as a human race will fail at achieving carbon zero in adequate time to halt the recession of glaciers. If that pessimistic presumption turns out to be true, then we will have wished that someone started a project like this years before. I suppose the worst-case scenario, from an organizational utility standpoint, is that the glaciers are documented and yet they are somehow saved, which means that some of the effort will have been in vain.

But will it have been?

If the Global Glacier Initiative’s efforts in any way contribute to the process by which the glaciers are saved, then nothing was wasted. If they happen to halt their decline, then a global treasure is being shared with the human race, one that, in those hypothetical circumstances, would continue to be available to all. The reality would still remain that glaciers are either located very high up or very close to the poles, which means that they are almost never easy to get to. The bulk of humanity will neither see a glacier in person once or not at all, so this mission is important no matter what happens.

My view is that the images collected now will have some use in the immediate term. Once the glaciers are gone, even if that is at a time after I am no longer alive, then the images taken will have increased in significance greatly. I have a view that far into the future. I am thinking of generations that have not yet been born when I contemplate taking these photographs.

That is part of the reason for a nonprofit model. An author model is a profit model, which means that the author is beholden to the marketplace. Markets are notoriously concerned with the present, which means that when one factors long-term elements for the good of humanity as a whole, markets lag until well past the point where it is too late. It is simply impossible to think of future generations on a profit model, when profit must chase what people are currently paying attention to.

The second component to a nonprofit model has to do with the catch-22 that I mentioned in the last post. Print media has a way of formalizing the content at hand, at the expense of reach. Social media is instant and to some extent free, yet it is forgotten. One solution is to put the images in the hands of the people and organizations that can use them to further the mission of the Global Glacier Initiative, which is to increase glacier and climate change awareness. Thus, the images will be licensed to science, education, other nonprofits, and to climate outreach programs. If the glaciers are effectively owned by humanity, then their beauty should reach as many as possible.

Sometimes big ideas show up without announcing themselves with much fanfare in advance.

My personal fixation with glaciers dates back to the late 1990s. As a teenager, a studious friend of mine noted one of the first studies that made it to the popular mainstream that forecast the extinction of glaciers in Glacier National Park, Montana by 2030. The concept struck me as not only unforgiveable; it yielded an immediate need to see them before they disappeared. It was simply unnatural to let them go by. Whatever the case, it was a visceral reaction then that remains equally as emotionally keen now.

While life did get in the way, it was September 2015 when I flew to every remaining glacier in Glacier National Park, using the same Piper PA-11 that I am flying today. That was part of a lineage of photography book projects, which isolated itself into a specific genre: chasing glaciers in various areas and documenting them.

After a false start in the Pyrenees (spoiler alert: they are basically all melted), I started visiting glaciers again in the Alps in 2018. That has continued in earnest, under the same author model, until now.

There is an advantage to putting one’s work in a book versus digital format. It allows for it to be tangibly held, to be considered at length, and for the matter at hand to get the attention it deserves. With modern digital tools, while reach can expand, attention lasts for a few seconds and is then forgotten. At the same token, a product that is available only for purchase is inherently limited. The message simply cannot get out equally as other methods. The result, for someone like me who wishes to give the glaciers the consideration they deserve, is something of a catch-22.

It wasn’t a question of if I wanted to go to every glacier left on earth; it was clear where my desire would lie. The issue was coalescing a personal interest around something bigger than a series of trips, and certainly something bigger than some books. The glaciers mean more to humanity than a form of literary and artistic self-expression. They are owned by humanity, are disappearing as we speak, and they are hard to get to. How can one approach this mission in a way so as to accelerate it and get out of the catch-22?

Unceremoniously, the concept sprung forth on February 10, 2021: the glaciers belong to humanity, and so should the process to get them and the photographs that come from them. To solve the ideological confrontation of doing the glaciers justice in an attention economy while accelerating the chase so that they do not disappear before the project is done, the idea behind the Global Glacier Initiative was born. It is an extension of what I was doing on a personal level for almost five years, itself which was seeded in the late 1990s when I heard that the glaciers were disappearing. For me, there is simply no other option than to see and document them before they disappear. It is an instinct.